Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
मुक्ताकुंदाभदशनां वह्निशुद्धांशुकान्विताम् । रत्नकेयूरवलयहारकुण्डलशोभिताम् ॥ ३८ ॥
muktākuṃdābhadaśanāṃ vahniśuddhāṃśukānvitām | ratnakeyūravalayahārakuṇḍalaśobhitām || 38 ||
Ses dents étaient comme des perles et des boutons de jasmin ; elle portait des vêtements purifiés comme par le feu. Elle resplendissait, parée de joyaux : bracelets de bras, bracelets, colliers et boucles d’oreilles serties de gemmes.
Narada (narrative description within the dialogue tradition)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: adbhuta
The verse uses sacred imagery—purified garments and auspicious ornaments—to support dhyāna (devotional visualization), where inner purity and reverence are expressed through symbolic descriptions of divine splendor.
Bhakti is strengthened through smaraṇa and dhyāna: contemplating the deity’s auspicious form (śobhitā) helps steady the mind, awaken devotion, and cultivate a pure, worshipful attitude.
It reflects śikṣā/alaṅkāra-style precision in recitation and descriptive vocabulary used in stuti and ritual meditation—supporting correct liturgical usage even when the verse is primarily poetic.