Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
हिरण्यजननी नन्दा सविसर्गा तपस्विनी । यशस्विनी सती सत्या वेदविच्चिन्मयी शुभा ॥ १५६ ॥
hiraṇyajananī nandā savisargā tapasvinī | yaśasvinī satī satyā vedaviccinmayī śubhā || 156 ||
Elle est la mère de l’or et de la prospérité ; elle est Nandā, la joie ; elle est la source de l’émanation et de la création, et la puissance ascétique du tapas. Elle est illustre, vertueuse, véridique ; connaisseuse des Vedas ; faite de pure conscience ; et toute auspicieuse.
Sanatkumara (in dialogue instruction to Narada, within the Narada Purana’s didactic frame)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
The verse functions as a concise stuti by listing divine attributes: prosperity (hiraṇya), joy (nandā), creative power (visarga), tapas, truth (satya), Vedic wisdom (veda-vit), and pure consciousness (cinmayī). It presents the divine as both worldly beneficence and the highest consciousness, aligning devotion with inner realization.
Bhakti here is expressed through nāma–guṇa-kīrtana (praising names and qualities). By contemplating the deity as auspicious, truthful, and consciousness itself, devotion becomes both reverence and meditation, refining the mind toward sattva and steadiness in worship.
The epithet veda-vit emphasizes scriptural competence as a support for correct mantra usage and ritual accuracy—key concerns in Vedanga-oriented sections—while tapasvinī highlights disciplined practice as the practical means for attaining efficacy in sādhanā.