The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
गोपीचूडामणिर्गोपीगणेड्या विरजाधिका । गोपप्रेष्ठा गोपकन्या गोपनारी सुगोपिका ॥ १९९ ॥
gopīcūḍāmaṇirgopīgaṇeḍyā virajādhikā | gopapreṣṭhā gopakanyā gopanārī sugopikā || 199 ||
Elle est le joyau suprême parmi les Gopīs; vénérée par la multitude des jeunes vacheresses; et, en pureté, elle surpasse même Virajā. Elle est la plus chère aux gopas; la fille vachère; la femme vachère—vraiment, la plus excellente des Gopikās.
Narada (in a litany-style recitation within the Narada Purana’s technical/structured sections)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shringara
The verse elevates the ideal of single-minded devotion by praising the foremost Gopikā as the “crest-jewel,” presenting bhakti as a supreme purity that outshines even symbolic notions of stainlessness (virajā).
By using honorific epithets—“most dear,” “worshipped,” “excellent”—it models bhakti as affectionate intimacy and wholehearted praise (stuti/nāmānukīrtana), where loving remembrance becomes the defining spiritual practice.
It reflects a structured nāma-style composition (useful for memorization and recitation), aligning with Vedāṅga concerns like chandas/recitational discipline and vyākaraṇa-driven compound epithets used in devotional liturgy.