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Narada Purana — Purva Bhaga, Shloka 181

The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma

कारुण्यजलमध्यस्था नित्यमत्ताधिरोहिणी । अष्टभाषवती चाष्टनायिका लक्षणान्विता ॥ १८१ ॥

kāruṇyajalamadhyasthā nityamattādhirohiṇī | aṣṭabhāṣavatī cāṣṭanāyikā lakṣaṇānvitā || 181 ||

Elle demeure au sein des eaux de la compassion; et, sans cesse, elle chevauche l’éléphant enivré de l’expression inspirée. Pourvue des huit modes de parole, elle porte aussi les traits des huit nāyikā, pleinement marquée de leurs signes.

कारुण्यजलमध्यस्थाstanding in the midst of the water of compassion
कारुण्यजलमध्यस्था:
Karta (कर्ता/Subject)
TypeAdjective
Rootकारुण्य + जल + मध्य + स्था (प्रातिपदिक; स्था-आधारित)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः तत्पुरुषः (मध्य-स्था = ‘standing in the midst’)
नित्यमत्ताधिरोहिणीever mounting (in) ecstatic intoxication
नित्यमत्ताधिरोहिणी:
Karta (कर्ता/Subject)
TypeAdjective
Rootनित्य + मत्त + अधिरोहिणी (प्रातिपदिक; कृदन्त-आधारः)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः तत्पुरुषः; अधिरोहिणी = ‘one who mounts/ascends’ (fem. agent-noun)
अष्टभाषवतीpossessing eight modes of speech/languages
अष्टभाषवती:
Karta (कर्ता/Subject)
TypeAdjective
Rootअष्ट + भाषा + वती (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; द्विगु-समासः (अष्ट-भाषा) + वती-प्रत्यय (possessing)
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
अष्टनायिकाthe (one who is) the eightfold heroine-type
अष्टनायिका:
Karta (कर्ता/Subject)
TypeNoun
Rootअष्ट + नायिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; द्विगु-समासः (अष्ट-नायिका)
लक्षणान्विताendowed with (auspicious) marks/characteristics
लक्षणान्विता:
Karta (कर्ता/Subject)
TypeAdjective
Rootलक्षण + अन्विता (प्रातिपदिक; कृदन्त-आधारः)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; समासः तत्पुरुषः; अन्विता = ‘endowed with’ (past participle used adjectivally)

Sanatkumara (teaching Narada in a technical/vedanga-style enumeration)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

FAQs

It frames refined speech/poetic expression as rooted in compassion and governed by recognizable shastric “lakṣaṇas,” implying that sacred communication should be both ethically grounded (kāruṇya) and technically disciplined.

By placing compassion at the center of expression, it aligns devotional communication—praise, prayer, and teaching—with a heart softened by mercy, suggesting bhakti is strengthened when speech is compassionate and well-formed.

A lakṣaṇa-based, technical classification approach typical of śāstra—cataloging “eight modes of speech” and the “aṣṭa-nāyikā” types—reflecting the Narada Purana’s Book 1.3 emphasis on structured, analytical knowledge akin to Vedanga-style enumeration.