The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
अणिमादिगुणैश्वर्या देववृन्दविमोहिनी । सस्वानन्दप्रदा सर्वा सुवर्णलतिकाकृतिः ॥ १६६ ॥
aṇimādiguṇaiśvaryā devavṛndavimohinī | sasvānandapradā sarvā suvarṇalatikākṛtiḥ || 166 ||
Pourvue des pouvoirs souverains et des qualités qui commencent par aṇimā (la subtilité de l’infiniment petit), elle envoûte même des multitudes de dieux. Elle accorde à tous sa propre béatitude, et sa forme est telle une liane d’or.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It portrays a divine power (śakti/devatā) whose siddhis can enchant even the gods, yet whose higher function is to confer bliss—hinting that true spiritual attainment culminates in ānanda, not mere display of powers.
By emphasizing the giving of bliss to all, the verse aligns with bhakti’s goal: grace (prasāda) that transforms the devotee’s inner state; siddhis are secondary to the experience of divine ānanda.
It reflects mantra-śāstra logic used in Vedanga-oriented sections: devatā-forms and mantra-siddhi are described through recognizable siddhi terminology (aṇimā, etc.), useful for understanding how ritual-mantra practice is traditionally mapped to experiential results.