Narada Purana — Purva Bhaga, Shloka 114
Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
श्रीबीजं शक्तिरापेति बीजेनैव षडंकस्तथा । त्रैलोक्यमोहनः शब्दो नमोंऽतो मनुरीरितः ॥ ११४ ॥
śrībījaṃ śaktirāpeti bījenaiva ṣaḍaṃkastathā | trailokyamohanaḥ śabdo namoṃ'to manurīritaḥ || 114 ||
On dit que le bīja « śrī » fait venir la Śakti ; et par ce même bīja se constitue aussi le corps du mantra en ses six aṅga (ṣaḍaṅga). Puis l’on enseigne le mot qui charme les trois mondes comme un mantra se terminant par « namaḥ ».
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
FAQs
It explains the technical principle that a bīja like “śrī” is not merely a sound but a power-invoking seed, capable of generating a complete mantra-structure and yielding an attraction/benediction effect when properly concluded with “namaḥ”.
By emphasizing “namaḥ” (salutation/surrender) as the mantra-ending, it frames mantra-practice as devotion through humility—power (Śakti) is approached through reverent surrender rather than mere technique.
Mantra-śāstra style construction: use of bīja-syllables, forming a ṣaḍaṅga (sixfold) mantra-body, and the rule of ending a mantra with “namaḥ” for worship-oriented application.