The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
उद्यदादित्यसंकाशमणिसिंहासनांबुजे । समासीनोऽच्युतो ध्येयो द्रुतहाटकसन्निभः ॥ १७८ ॥
udyadādityasaṃkāśamaṇisiṃhāsanāṃbuje | samāsīno'cyuto dhyeyo drutahāṭakasannibhaḥ || 178 ||
Que l’on médite sur le Seigneur Acyuta, l’Impérissable, assis sur le lotus d’un trône-lion serti de gemmes; rayonnant tel le soleil levant, et splendide comme l’or en fusion.
Narada (instructional narration within a dhyāna/upanāsa context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It gives a precise dhyāna-lakṣaṇa (meditation iconography) for Vishnu: the mind is steadied by contemplating Acyuta’s radiant, golden form enthroned on a lotus-seat, turning devotion into focused upāsanā.
Bhakti here is practiced as loving contemplation: by repeatedly visualizing the Lord’s auspicious form (tejas like the rising sun, beauty like molten gold), the devotee’s attention becomes one-pointed and naturally gravitates toward remembrance (smṛti) and surrender.
It reflects upāsanā methodology—using prescribed imagery and attributes (dhyāna-vidhi) to train concentration; this aligns with technical disciplines supporting ritual and recitation (e.g., correct mental visualization accompanying mantra-japa and worship).