The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
पुनः षडंगं कृत्वाथ ध्यायेत्कृष्णं हृदंबुजे । द्वारवत्यां सहस्रार्कभास्वरैर्भवनोत्तमैः ॥ १७४ ॥
punaḥ ṣaḍaṃgaṃ kṛtvātha dhyāyetkṛṣṇaṃ hṛdaṃbuje | dvāravatyāṃ sahasrārkabhāsvarairbhavanottamaiḥ || 174 ||
Ensuite, après avoir de nouveau accompli la pratique aux six membres (ṣaḍaṅga), qu’on médite sur Kṛṣṇa dans le lotus du cœur—le contemplant à Dvāravatī, au milieu des palais les plus sublimes, rayonnant comme mille soleils.
Sanatkumara (in instruction to Narada, within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It teaches a structured, repeatable contemplative procedure: after completing a formal six-part discipline, the practitioner internalizes Kṛṣṇa as the indwelling Lord in the heart-lotus, using a vivid sacred geography (Dvārakā) to stabilize devotion and concentration.
Bhakti is expressed as loving, focused remembrance (dhyāna) of Kṛṣṇa—not abstractly, but with form, abode, and splendor—so the mind becomes absorbed in His divine presence and qualities.
The verse reflects prayoga-style technical instruction: a sequenced discipline (“again perform ṣaḍaṅga, then meditate”), typical of ritual-technical and yogic methodologies aligned with Vedanga-oriented practice and precise procedural order.