The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
रात्रौ चेन्मदनाक्रांतचेतसं नन्दनन्दनम् । यजेद्रासपरिश्रांतं गोपीमंडलमध्यगम् ॥ १०७ ॥
rātrau cenmadanākrāṃtacetasaṃ nandanandanam | yajedrāsapariśrāṃtaṃ gopīmaṃḍalamadhyagam || 107 ||
Si, la nuit, l’esprit est envahi par la passion, qu’on adore le Fils de Nanda (Śrī Kṛṣṇa) comme épuisé après la danse du Rāsa, se tenant au milieu du cercle des gopīs.
Narada (teaching, in a didactic/ritual-instruction context; traditionally framed within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: bhakti
It prescribes a devotional remedy: when the mind is disturbed by desire at night, one redirects that energy into Kṛṣṇa-upāsanā by contemplating and worshipping Śrī Kṛṣṇa in a specific sacred form (Rāsa context), transforming passion into bhakti.
Bhakti is shown as practical inner discipline: instead of suppressing the mind, the devotee consciously fixes it on Kṛṣṇa (Nanda-nandana) through a vivid devotional visualization, making remembrance and worship the means to purify emotion.
It reflects ritual-application of dhyāna and manasika-pūjā (mental worship) with time-specific instruction (rātrau—night), aligning practice with disciplined observance rather than grammar/astrology directly.