The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
षड्वीर्ययामाय यातु ध्रुवपंचार्णयुक्तया । षडंगानि विधायाथ ध्यायेद्धृदि सुरार्चितम् ॥ ११५ ॥
ṣaḍvīryayāmāya yātu dhruvapaṃcārṇayuktayā | ṣaḍaṃgāni vidhāyātha dhyāyeddhṛdi surārcitam || 115 ||
Qu’il avance avec le mantra adressé au Seigneur aux Six Puissances, uni à la formule stable de cinq syllabes. Puis, après avoir établi les six membres (ṣaḍ-aṅga) du nyāsa, qu’il médite dans son cœur la Divinité vénérée par les dieux.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that mantra-practice becomes spiritually effective when joined with inner contemplation: after correctly applying the mantra with its six aṅgas (protective/empowering nyāsa), one must culminate in heart-centered meditation on the divine presence revered even by the devas.
Bhakti here is not only recitation; it is disciplined worship that ends in dhyāna—placing the beloved Deity in the heart. The verse links external ritual precision (mantra + aṅgas) with internal devotion (meditation), a hallmark of Narada Purana’s devotional method.
It highlights technical mantra-vidhi used in ritual science: employing a fixed five-syllabled mantra and performing ṣaḍaṅga-nyāsa (hṛdaya, śiras, śikhā, kavaca, netra, astra), a structured application connected to Vedic ritual discipline and correct phonetic/mantric procedure.