Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
रक्तं विघ्नं तथाग्नेये श्याममार्यं च राक्षसे । दुर्गां श्यामां वायुकोणे सेनान्यं पीतमैश्वरे ॥ ५० ॥
raktaṃ vighnaṃ tathāgneye śyāmamāryaṃ ca rākṣase | durgāṃ śyāmāṃ vāyukoṇe senānyaṃ pītamaiśvare || 50 ||
Dans l’angle du sud-est (Agni), qu’on place la forme rouge nommée Vighna. Dans l’angle du sud-ouest (Rākṣasa), qu’on place Śyāma et Ārya. Dans l’angle du nord-ouest (Vāyu), qu’on place Durgā et Śyāmā. Dans l’angle du nord-est (Īśāna), qu’on place la forme jaune nommée Senānī.
Narada (teaching within a technical/ritual-vedic context; dialogue tradition with Sanatkumara line implied for this section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It assigns specific divine forms and colours to the four corners, showing how sacred space is harmonized through directional guardianship so that rites proceed without disturbance and with protection.
Bhakti here is expressed as disciplined worship: devotion is not only emotion but also correct upāsanā—placing and invoking deities in their proper directions to honor cosmic order while performing worship.
It reflects applied ritual science—mandala/space-arrangement rules tied to directions (dik), colours, and deity-invocation, a technical feature aligned with Vedāṅga-style procedural precision used in rites and protective installations.