Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
स्वर्वधूगीतमाधुर्याभिराम चिंतयेद्वनम् । तदंतर्मणिसम्पत्तिस्फुरत्तोरणमण्डपे ॥ १७० ॥
svarvadhūgītamādhuryābhirāma ciṃtayedvanam | tadaṃtarmaṇisampattisphurattoraṇamaṇḍape || 170 ||
Qu’on médite une forêt rendue exquise par la douceur des chants des jeunes filles célestes ; et, en son sein, un pavillon dont les portails et les dais scintillent de la splendeur des richesses de joyaux.
Sanatkumara (teaching Narada in an instructional sequence)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches dhyāna through vivid sacred imagery—training the mind to become steady by contemplating a pure, radiant inner space (a jeweled maṇḍapa) filled with auspicious sound and beauty.
By directing the practitioner to lovingly hold an auspicious divine atmosphere in the heart, it supports bhakti as sustained remembrance (smaraṇa) and reverent inner worship through contemplation.
It aligns with ritual-technical tradition by emphasizing the maṇḍapa and toraṇa—terms central to yajña/pujā space design and the disciplined use of visualization as an auxiliary method supporting mantra and rite.