Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
भूनेत्र चन्द्रनेत्राग्निनेत्रार्णैः स्यात्षडंगकम् । शुक्लांबरालेपभूषं करेण ददतं धनम् ॥ १३७ ॥
bhūnetra candranetrāgninetrārṇaiḥ syātṣaḍaṃgakam | śuklāṃbarālepabhūṣaṃ kareṇa dadataṃ dhanam || 137 ||
Avec les syllabes ‘bhū’, ‘netra’, ‘candra’, ‘netra’, ‘agni’ et ‘netra’, on obtient la formule à six membres (ṣaḍaṅga). Qu’on médite la divinité : vêtue de blanc, ointe et parée, et d’une main accordant la richesse.
Sanatkumara (teaching Narada in the Vedanga-oriented section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It links mantra-structure (ṣaḍaṅga—six-part formulation/nyāsa) with a precise meditative visualization, showing that correct sound-patterns and correct contemplation together support ritual efficacy and inner focus.
Bhakti here is expressed as upāsanā: devotion through disciplined remembrance—visualizing the deity in pure white attire and as a giver of prosperity, while anchoring the mind in a structured mantra.
It reflects technical mantra-application used in ritual practice—how syllables are organized into a ṣaḍaṅga (six-limbed) scheme, a method closely aligned with Vedanga-style procedural precision (mantra-prayoga/nyāsa).