Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
जानुस्थवामहस्ताढ्यं साभयेतरपाणिकम् । ध्यात्वेवं प्रजपेसहस्रं विजितेंद्रियः ॥ १२४ ॥
jānusthavāmahastāḍhyaṃ sābhayetarapāṇikam | dhyātvevaṃ prajapesahasraṃ vijiteṃdriyaḥ || 124 ||
Après avoir ainsi médité la divinité—riche de forme, la main gauche posée sur le genou et l’autre montrant le mudrā qui ôte la peur—celui qui a maîtrisé les sens doit réciter le mantra mille fois.
Sanatkumara (teaching Narada the dhyana-japa procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links inner visualization (dhyāna) with disciplined repetition (japa), teaching that mantra-fruit arises when the senses are restrained and the deity is held steadily in awareness.
By prescribing meditation on the deity’s fear-removing gesture (abhaya), it cultivates surrender and trust; the thousandfold japa becomes a steady act of devotional remembrance.
It highlights procedural precision—dhyāna-lakṣaṇa (meditative iconography), japa-saṅkhyā (fixed count), and indriya-nigraha (sense-control)—key technical elements used in mantra-prayoga.