The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
वरं पाशं च शूलं च दधानां नृकरोटिकाम् । सायाह्ने रत्नभूषाढ्यां पीतकौशेयवाससाम् ॥ ७२ ॥
varaṃ pāśaṃ ca śūlaṃ ca dadhānāṃ nṛkaroṭikām | sāyāhne ratnabhūṣāḍhyāṃ pītakauśeyavāsasām || 72 ||
Portant le geste qui accorde les dons, tenant le lacet et le trident, et portant une coupe faite d’un crâne humain ; le soir, on la voit parée d’ornements de joyaux et vêtue de soie jaune.
Narada (describing a deity/iconographic form within the teaching to the Sanatkumara tradition)
Vrata: none
Primary Rasa: raudra
Secondary Rasa: adbhuta
It gives an iconographic and ritual-time description of a fierce, protective Goddess-form—her weapons and skull-bowl signify restraint of negative forces, cutting of ignorance, and transformative power in upāsanā.
Bhakti here is expressed through concrete contemplation (dhyāna) of the deity’s form—remembering her attributes, attire, and weapons as part of disciplined worship and focused reverence.
Ritual application is implied through precise dhyāna-lakṣaṇa (meditative markers) and time-indication (sāyāhna, evening), aligning practice with procedural accuracy typical of Vedanga-informed worship.