Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
मणिपूरे शंखचक्रगदापंकजधारिणे । सश्रिये षट्सहस्रं च विष्णवे विनिवेदयेत् ॥ ८६ ॥
maṇipūre śaṃkhacakragadāpaṃkajadhāriṇe | saśriye ṣaṭsahasraṃ ca viṣṇave vinivedayet || 86 ||
Au centre Maṇipūra (nombril), qu’on offre six mille (récitations/oblations) au Seigneur Viṣṇu, porteur de la conque, du disque, de la massue et du lotus, avec Śrī (Lakṣmī).
Narada (teaching in a technical/ritual-application context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It links inner worship (focused at the Maṇipūra/navel center) with devotion to Viṣṇu’s iconic form, emphasizing disciplined, counted offering (six thousand) dedicated to Viṣṇu along with Śrī (Lakṣmī).
Bhakti is expressed as reverent dedication (vinivedayet) to Viṣṇu’s attributes (conch, discus, mace, lotus) and to Śrī, showing worship as loving offering supported by steady practice and remembrance.
It reflects ritual discipline through precise enumeration (ṣaṭsahasra) and correct dedication of an offering—skills associated with procedural competence in Vedic practice (prayoga-style instruction).