Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
नामार्णान्यचतुष्कात्तु द्वितीये मंत्रवर्णके । चतुष्के चेत्तदा पूर्वं यत्र नामाक्षरं स्थितम् ॥ ८ ॥
nāmārṇānyacatuṣkāttu dvitīye maṃtravarṇake | catuṣke cettadā pūrvaṃ yatra nāmākṣaraṃ sthitam || 8 ||
Si les syllabes du nom (les lettres formant le nom) ne se trouvent pas dans un groupe de quatre, alors, dans le deuxième quatuor des lettres du mantra—si l’on applique le quatuor—il faut les placer plus tôt, à l’endroit même où se tient la lettre du nom.
Sanatkumara (in dialogue instruction to Narada on technical mantra arrangement)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It stresses disciplined, rule-based mantra formation: correct placement of the nāmākṣara (name-syllable) is treated as essential for the mantra’s intended ritual and spiritual effect.
Bhakti here is supported by precision in practice: devotion is expressed not only by feeling but by careful adherence to mantra-śāstra rules so the worship is properly aligned and effective.
Śikṣā (phonetics/letter arrangement) and Vyākaraṇa-style technical ordering are implied—specifically, how to handle letter-grouping (catuṣka) and where to position the name-syllable within a mantra’s letter sequence.