Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
ततः श्रीश्चामुकांते तु नन्दनाथामुकी पुनः । देव्यंबांते श्रीपांदुकां पूजयामि हृदंतिमे ॥ ५३ ॥
tataḥ śrīścāmukāṃte tu nandanāthāmukī punaḥ | devyaṃbāṃte śrīpāṃdukāṃ pūjayāmi hṛdaṃtime || 53 ||
«Ensuite, j’adore Śrī (Lakṣmī) à Cāmukānta ; puis encore, Nandanātha à Āmukī. À Devyambānta, j’adore Śrīpāṇḍukā : ce sont ceux qui sont les plus intimes, les plus chers à mon cœur.»
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It models a structured devotional itinerary—remembering and worshipping specific devatās tied to named sacred locales—showing that bhakti can be practiced through ordered remembrance (smaraṇa) and pūjā.
Bhakti here is expressed as repeated, heartfelt worship—Śrī and other revered forms are honored in sequence, emphasizing steadiness (punaḥ) and inner attachment (hṛd-antima) rather than mere external travel.
It reflects a technical, list-based liturgical style used in ritual recitation—careful preservation of proper names and locations, aligning with Vedāṅga concerns like correct pronunciation (Śikṣā) and precise wording (Vyākaraṇa) in devotional formulas.