Nārada’s Hymn to Viṣṇu
Nāradasya Viṣṇu-stavaḥ
सर्वसत्त्वमयं शान्तं सर्वद्र ष्टारमीश्वरम् । सहस्रशीर्षकं देवं वन्दे भावात्मकं हरिम् ॥ ५२ ॥
sarvasattvamayaṃ śāntaṃ sarvadra ṣṭāramīśvaram | sahasraśīrṣakaṃ devaṃ vande bhāvātmakaṃ harim || 52 ||
Je me prosterne devant Hari—le Seigneur divin qui pénètre tous les êtres, paisible, Souverain qui voit tout, le Dieu aux mille têtes, essence de tous les états de l’être et du sentir.
Suta (narratorial invocation in the Purana’s opening context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It functions as a stuti (devotional salutation) establishing Hari as the immanent and transcendent Lord—present in all beings, all-seeing, and the cosmic Purusha—thus setting a bhakti-centered frame for the teaching that follows.
Bhakti begins with veneration (vande) grounded in right understanding: the devotee worships Hari not as a limited deity, but as the peaceful, all-pervading Ishvara who contains all beings and all inner bhāvas—turning devotion into a direct means to inner stillness and liberation.
No specific Vedanga practice is taught in this shloka; however, it reflects Vedic mantra-idiom (e.g., sahasraśīrṣa imagery akin to Purusha-sūkta), supporting correct recitation and meaning-oriented devotion rather than ritual detail.