Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
विश्वरूपाय विश्वाय सृष्टिस्थित्यंतकारिणे । यज्ञाय यज्ञभोक्ते च स्थविष्ठायाणवेऽर्थिने ॥ ५७ ॥
viśvarūpāya viśvāya sṛṣṭisthityaṃtakāriṇe | yajñāya yajñabhokte ca sthaviṣṭhāyāṇave'rthine || 57 ||
Hommage à Celui qui a la forme de l’univers entier et qui est l’univers lui-même, accomplissant création, maintien et dissolution. Hommage à Celui qui est le yajña et aussi le jouisseur du yajña. Hommage à Celui qui est le plus vaste et pourtant le plus subtil, fondement et sens de toute chose.
Narada (in a hymn of praise within the Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: bhakti
It presents the Supreme (Vishnu) as both cosmic immanence and transcendence—He is the universe, the cause of its cycles (creation–maintenance–dissolution), and the inner meaning (artha) behind all experience—supporting a moksha-oriented vision.
By identifying Vishnu as the very Yajña and the Yajña’s enjoyer, the verse turns worship into direct devotion: every offering, act, and intention can be dedicated to Him as the ultimate recipient, deepening single-pointed bhakti.
It highlights the ritual principle (Kalpa/Śrauta sense) that the efficacy and goal of yajña culminate in the deity-recipient—here taught as Vishnu Himself—linking external rite to inner realization rather than mere procedural performance.