Anadhyaya and the Winds: From Vedic Recitation Protocol to Sanatkumara’s Moksha-Upadesha
अनारमंतः सर्वांगाः सर्वचारिणः । एतत्तु महदाश्चर्यं यदयं पर्वतोत्तमः ॥ ३३ ॥
anāramaṃtaḥ sarvāṃgāḥ sarvacāriṇaḥ | etattu mahadāścaryaṃ yadayaṃ parvatottamaḥ || 33 ||
Ils ne cessent point leur activité ; leurs membres sont intacts et ils vont partout. Et pourtant, voici la grande merveille : que cette montagne est la meilleure des montagnes.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It points to the paradox of the manifest world: constant activity and all-pervading movement are observed, yet a mountain—symbol of steadiness—stands as the “foremost,” inviting contemplation on stability amid change.
By highlighting “wonder” (āścarya) at the order of creation, the verse supports a bhakti-oriented attitude of reverent awe, which naturally turns the mind toward the Lord as the arranger behind such contrasts.
Primarily Vyākaraṇa-oriented nuance: the compound parvatottama (“best of mountains”) and descriptive epithets (sarvāṅga, sarvacārin) show how Sanskrit compounds and qualifiers convey layered meaning; no specific ritual or Jyotiṣa instruction is stated in this verse.