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Narada Purana — Purva Bhaga, Shloka 45

Janaka Instructs Śuka: Āśrama-Sequence, Guru-Dependence, and Marks of Liberation

नास्ति ते सुखदुःखेषु विशेषो नास्ति वस्तुषु । नौत्सुक्यं नृत्यगीतेषु न राग उपजायते ॥ ४५ ॥

nāsti te sukhaduḥkheṣu viśeṣo nāsti vastuṣu | nautsukyaṃ nṛtyagīteṣu na rāga upajāyate || 45 ||

Pour toi, il n’y a pas de différence entre plaisir et peine, ni de valeur particulière accordée aux objets. Tu n’éprouves aucun élan pour la danse et le chant, et nul attachement ne s’éveille en toi.

nanot
na:
Pratiṣedha (प्रतिषेध/negation)
TypeIndeclinable
Rootna (अव्यय)
FormNiṣedha (negation particle/निषेध)
astiis / exists
asti:
Kriyā (क्रिया/Verb)
TypeVerb
Root√as (धातु)
FormLaṭ-lakāra (Present), Parasmaipada, Prathama-puruṣa (3rd person), Ekavacana (Singular)
tefor you / of you
te:
Sambandha (सम्बन्ध/Possessor)
TypeNoun
Roottvad (सर्वनाम-प्रातिपदिक)
FormṢaṣṭhī (Genitive, 6th), Ekavacana (Singular)
sukha-duḥkheṣuin pleasures and pains
sukha-duḥkheṣu:
Adhikaraṇa (अधिकरण/Locative)
TypeNoun
Rootsukha (प्रातिपदिक) + duḥkha (प्रातिपदिक)
FormNapुंसकलिङ्ग (Neuter), Saptamī (Locative, 7th), Bahuvacana (Plural); dvandva: ‘sukhaṃ ca duḥkhaṃ ca’
viśeṣaḥdistinction
viśeṣaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootviśeṣa (प्रातिपदिक)
FormPuṃliṅga (Masculine), Prathamā (Nominative, 1st), Ekavacana (Singular)
nanot
na:
Pratiṣedha (प्रतिषेध/negation)
TypeIndeclinable
Rootna (अव्यय)
FormNiṣedha (negation particle/निषेध)
astiis / exists
asti:
Kriyā (क्रिया/Verb)
TypeVerb
Root√as (धातु)
FormLaṭ-lakāra (Present), Parasmaipada, Prathama-puruṣa (3rd person), Ekavacana (Singular)
vastuṣuin objects/things
vastuṣu:
Adhikaraṇa (अधिकरण/Locative)
TypeNoun
Rootvastu (प्रातिपदिक)
FormNapुंसकलिङ्ग (Neuter), Saptamī (Locative, 7th), Bahuvacana (Plural)
nanot
na:
Pratiṣedha (प्रतिषेध/negation)
TypeIndeclinable
Rootna (अव्यय)
FormNiṣedha (negation particle/निषेध)
autsukyameagerness
autsukyam:
Karta (कर्ता/Subject)
TypeNoun
Rootautsukya (प्रातिपदिक)
FormNapुंसकलिङ्ग (Neuter), Prathamā (Nominative, 1st), Ekavacana (Singular)
nṛtya-gīteṣuin dances and songs
nṛtya-gīteṣu:
Adhikaraṇa (अधिकरण/Locative)
TypeNoun
Rootnṛtya (प्रातिपदिक) + gīta (प्रातिपदिक/कृदन्त)
FormNapुंसकलिङ्ग (Neuter), Saptamī (Locative, 7th), Bahuvacana (Plural); dvandva: ‘nṛtyaṃ ca gītaṃ ca’
nanot
na:
Pratiṣedha (प्रतिषेध/negation)
TypeIndeclinable
Rootna (अव्यय)
FormNiṣedha (negation particle/निषेध)
rāgaḥattachment
rāgaḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootrāga (प्रातिपदिक)
FormPuṃliṅga (Masculine), Prathamā (Nominative, 1st), Ekavacana (Singular)
upajāyatearises
upajāyate:
Kriyā (क्रिया/Verb)
TypeVerb
Root√jan (धातु) with upa- (उपसर्ग)
FormLaṭ-lakāra (Present), Ātmanepada, Prathama-puruṣa (3rd person), Ekavacana (Singular)

Sanatkumara (teaching Narada the marks of dispassion and steadiness in Moksha-dharma)

Vrata: none

Primary Rasa: shanta (peace)

Secondary Rasa: none

N
Narada

FAQs

It describes the inner hallmark of liberation-oriented maturity: equanimity toward pleasure and pain, and the fading of craving for sensory entertainments—clear signs of vairāgya supporting mokṣa.

By showing that when the heart is no longer pulled by rāga for worldly delights, it becomes steady and available for one-pointed remembrance and devotion; bhakti deepens as distractions lose their charm.

No specific Vedāṅga (like Vyākaraṇa, Jyotiṣa, or Śikṣā) is taught in this verse; the practical takeaway is ethical-psychological discipline—cultivating samatva and reducing sensory dependence as part of mokṣa-dharma.