Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
ईर्य्युरध्वरुची रज्ज्वां मुसले धनमानयुक् । व्यंगा स्थिरा लोनलजो मोनीस्रग्जोहिजोर्द्दितः ॥ १९४ ॥
īryyuradhvarucī rajjvāṃ musale dhanamānayuk | vyaṃgā sthirā lonalajo monīsragjohijordditaḥ || 194 ||
Il est prompt dans ses mouvements et aime les rites du yajña ; tel la corde même et le pilon. Pourvu de richesse et d’honneur ; sans tache, ferme et inébranlable. Né du sel et du feu ; muni silencieux, portant la guirlande, et proclamateur du sacrifice.
Narada (in a didactic/recitational passage within the Moksha-Dharma section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It strings together sacred epithets that link inner virtues (steadiness, blemishlessness, silence) with yajña-symbolism, teaching that spiritual liberation is supported by both disciplined character and sanctified action.
By praising the Lord (or the revered divine principle) through many names, it models bhakti as remembrance and glorification—seeing the Divine present even in ritual instruments and in the devotee’s cultivated steadiness.
The verse draws on yajña-terminology and ritual symbolism (adhvara, rope, pestle), reflecting Kalpa (ritual procedure) and Nirukta-style name-derivations used to interpret sacred epithets.