Jyotiṣa-śāstra Saṅgraha: Threefold Division, Gaṇita Methods, Muhūrta, and Planetary Reckoning
हारांशयोः कृती वर्गे घनौ घनविधौ मुने । पदसिद्ध्यै पदे कुर्यादथोरवं सर्वतश्च रवम् ॥ २७ ॥
hārāṃśayoḥ kṛtī varge ghanau ghanavidhau mune | padasiddhyai pade kuryādathoravaṃ sarvataśca ravam || 27 ||
Ô sage, dans la pratique de la récitation selon les méthodes dites hāra et aṃśa, et dans la classe kṛti, qu’on applique les ghanas selon la procédure ghana. Pour l’accomplissement d’un mot (pada-siddhi), qu’on prononce justement chaque terme, puis qu’on fasse résonner un son vibrant en toutes directions.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It emphasizes that liberation-oriented practice (moksha-dharma) is supported by disciplined sound: correct word-by-word recitation and controlled resonance purify the mind and stabilize mantra power.
Bhakti is strengthened when sacred names and mantras are pronounced with precision and steadiness; the verse presents disciplined recitation as a practical support for devoted remembrance and worship.
It points to Śikṣā (Vedic phonetics) and specialized recitation procedures (ghana-vidhi), teaching that pada-siddhi—accuracy of each word and its sound-quality—is essential in mantra practice.