Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 3

The Account of the Ekādaśī Vow Observed Throughout the Twelve Months

उपचारैर्बहुविधैर्जपैर्होमैः प्रदक्षिणैः । स्तोत्रपाठैर्बहुविधैर्गीतवाद्यैर्मनोहरैः ॥ ३ ॥

upacārairbahuvidhairjapairhomaiḥ pradakṣiṇaiḥ | stotrapāṭhairbahuvidhairgītavādyairmanoharaiḥ || 3 ||

Par de nombreux services rituels, par la récitation des mantras (japa), par les offrandes au feu (homa), par les circumambulations (pradakṣiṇā), par diverses lectures d’hymnes, et par le chant et la musique instrumentale charmants—(ainsi le Seigneur est adoré).

उपचारैःwith services/offerings
उपचारैः:
Karaṇa (करण)
TypeNoun
Rootउपचार (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), बहुवचन
बहुविधैःof many kinds
बहुविधैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootबहु + विध (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समास: कर्मधारय (बहवः विधाः येषां ते)
जपैःwith recitations (japa)
जपैः:
Karaṇa (करण)
TypeNoun
Rootजप (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन
होमैःwith fire-offerings (homa)
होमैः:
Karaṇa (करण)
TypeNoun
Rootहोम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन
प्रदक्षिणैःwith circumambulations
प्रदक्षिणैः:
Karaṇa (करण)
TypeNoun
Rootप्रदक्षिणा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति, बहुवचन
स्तोत्रपाठैःwith recitations of hymns
स्तोत्रपाठैः:
Karaṇa (करण)
TypeNoun
Rootस्तोत्र + पाठ (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समास: षष्ठी-तत्पुरुष (स्तोत्रस्य पाठः)
बहुविधैःof many kinds
बहुविधैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootबहु + विध (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समास: कर्मधारय
गीतवाद्यैःwith songs and instruments
गीतवाद्यैः:
Karaṇa (करण)
TypeNoun
Rootगीत + वाद्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (समाहार-द्वन्द्व), तृतीया-विभक्ति, बहुवचन; समास: द्वन्द्व (गीतं च वाद्यं च)
मनोहरैःdelightful, charming
मनोहरैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootमनोहर (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग (सन्दर्भे गीतवाद्यैः इति नपुंसकबहुवचनानुगुणम्), तृतीया-विभक्ति, बहुवचन

Narada (teaching in a catalog-like description of devotional worship)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

FAQs

It presents a complete devotional framework—outer ritual (upacāra, homa, pradakṣiṇā) united with inner devotion expressed through mantra (japa) and praise (stotra), culminating in joyful worship through music.

Bhakti is shown as multi-limbed: serving the deity, repeating divine names/mantras, offering oblations, circumambulating in reverence, and celebrating the Lord through hymn-recitation and devotional music.

Ritual procedure is implied (kalpa-style practice) through homa and upacāra, and correct mantra use through japa—requiring disciplined recitation and liturgical order in worship.