Previous Verse
Next Verse

Narada Purana — Purva Bhaga, Shloka 112

The Description of the Skanda Purāṇa’s Anukramaṇī

Index/Summary

विशल्याख्यानकं पश्चाज्जालेश्वरकथा तथा । गोरीव्रत समाख्यानं त्रिपुरज्वालनं ततः ॥ ११२ ॥

viśalyākhyānakaṃ paścājjāleśvarakathā tathā | gorīvrata samākhyānaṃ tripurajvālanaṃ tataḥ || 112 ||

Vient ensuite le récit de Viśalyā, ainsi que l’histoire de Jāleśvara ; puis l’exposé du vœu de Gaurī (Gaurī-vrata), et après cela l’embrasement de Tripura.

viśalya-ākhyānakamthe tale of Viśalya
viśalya-ākhyānakam:
Karta (कर्ता/विषय)
TypeNoun
Rootviśalya (प्रातिपदिक) + ākhyānaka (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Prathamā (1st/प्रथमा), Ekavacana (एकवचन); समासः—षष्ठी-तत्पुरुषः
paścātafterwards
paścāt:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpaścāt (अव्यय)
FormAvyaya; adverb “afterwards”
jāleśvara-kathāthe story of Jāleśvara
jāleśvara-kathā:
Karta (कर्ता/विषय)
TypeNoun
Rootjāleśvara (प्रातिपदिक) + kathā (प्रातिपदिक)
FormStrīliṅga (स्त्रीलिङ्ग), Prathamā (1st/प्रथमा), Ekavacana (एकवचन); समासः—षष्ठी-तत्पुरुषः
tathāalso
tathā:
Samuccaya (समुच्चय)
TypeIndeclinable
Roottathā (अव्यय)
FormAvyaya; conjunction/adverb “also/likewise”
gorī-vrata-samākhyānamthe account of Gaurī’s vow
gorī-vrata-samākhyānam:
Karta (कर्ता/विषय)
TypeNoun
Rootgorī (प्रातिपदिक) + vrata (प्रातिपदिक) + samākhyāna (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Prathamā (1st/प्रथमा), Ekavacana (एकवचन); समासः—षष्ठी-तत्पुरुषः
tripura-jvālanamthe burning of Tripura
tripura-jvālanam:
Karta (कर्ता/विषय)
TypeNoun
Roottripura (प्रातिपदिक) + jvālana (प्रातिपदिक)
FormNapumsaka (नपुंसकलिङ्ग), Prathamā (1st/प्रथमा), Ekavacana (एकवचन); समासः—षष्ठी-तत्पुरुषः
tataḥthen/thereafter
tataḥ:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya; adverb “thereafter”

Suta (narrating the Narada Purana’s contents summary)

Vrata: Gaurī-vrata

Primary Rasa: adbhuta

Secondary Rasa: vira

V
Viśalyā
J
Jāleśvara
G
Gaurī (Pārvatī)
T
Tripura

FAQs

This verse functions as an anukramaṇikā (table of contents), indicating that the text will cover exemplary narratives, a vrata (religious observance), and a major Shaiva myth (Tripura’s burning) to teach dharma through story and practice.

By pointing to kathā (sacred narratives) and vrata (disciplined observance) centered on revered deities like Gaurī and the Tripura episode, it signals devotion expressed through hearing sacred accounts and undertaking vowed practices.

The practical focus is on vrata-dharma (ritual discipline and observance) rather than a specific Vedāṅga; it highlights how prescribed vows like the Gaurī-vrata structure devotional life through rules, timing, and conduct.