Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
स्वप्ने दृष्टं यत्पदार्थं ह्यलक्ष्यं दृष्टं नूनं भाति मन्ये न चापि मूर्तिर्नो वै दैवकीशान देवैर् लक्ष्या यत्नैरप्यलक्ष्यं कथं तु
svapne dṛṣṭaṃ yatpadārthaṃ hyalakṣyaṃ dṛṣṭaṃ nūnaṃ bhāti manye na cāpi mūrtirno vai daivakīśāna devair lakṣyā yatnairapyalakṣyaṃ kathaṃ tu
Ce « objet » que l’on voit en rêve est, en vérité, insaisissable ; bien qu’il soit vu, il ne fait que paraître briller, me semble-t-il, et pourtant il n’a point de forme tangible. De même, ô Seigneur des Devas, le Divin n’est pas un objet que les dieux puissent percevoir ; même au prix d’efforts ardents, Il demeure au-delà de tout signe : comment donc pourrait-Il être pleinement connu ?
Suta Goswami (narrating an internal address to the Lord of the Devas within the Adhyaya’s dialogue)
It frames the Linga as a sacred ‘mark’ (liṅga) that points to Shiva who is ultimately alakṣya—beyond sensory capture—so worship is directed to the Pati through symbol, mantra, and inner realization rather than treating Him as a limited object.
Shiva is presented as beyond perceptual definition: like a dream-object that seems vivid yet lacks graspable substance, Shiva-tattva transcends form and conceptual targeting; He is known not by mere effort of the senses but through higher knowledge and divine grace.
The verse implies Pashupata-oriented inwardness: withdrawing from appearances (dream-like cognition), stabilizing awareness, and approaching Shiva through dhyāna on the Linga and mantra-japa—seeking direct insight rather than external ‘object-perception’ alone.