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Agni Purana — Veda-vidhana & Vamsha, Shloka 30

Nīrājana-vidhiḥ

Procedure of Nīrājana / Auspicious Lamp-Waving and Royal Propitiation

चतुरङ्गबलोपेतः सर्वसैन्येन नादयन् एवं कृत्वा गृहं गच्छेद्विसर्जितजलाञ्जलिः

caturaṅgabalopetaḥ sarvasainyena nādayan evaṃ kṛtvā gṛhaṃ gacchedvisarjitajalāñjaliḥ

Pourvu de l’armée aux quatre composantes, faisant retentir toute la troupe, après avoir agi ainsi il doit rentrer chez lui, après avoir relâché (offert puis laissé tomber) une poignée d’eau.

चतुरङ्गबलोपेतःendowed with the fourfold army
चतुरङ्गबलोपेतः:
Karta (कर्ता)
TypeAdjective
Rootचतुरङ्ग + बल + उपेत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), एकवचन; क्त-प्रत्ययान्त (उपेत = endowed/possessed) + तत्पुरुष-समास (चतुरङ्गं बलं येन उपेतः)
सर्वसैन्येनwith the entire army
सर्वसैन्येन:
Karana (करण)
TypeNoun
Rootसर्व + सैन्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), एकवचन; कर्मधारय-समास (सर्वं तत् सैन्यम्)
नादयन्causing to resound
नादयन्:
Karta (कर्ता)
TypeVerb
Rootनद् (धातु)
Formशतृ-प्रत्ययान्त वर्तमानकाले कृदन्त (present active participle), पुंलिङ्ग, प्रथमा, एकवचन; परस्मैपद-भाव; causative sense ‘to make sound’ (नादयति)
एवम्thus
एवम्:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb: thus)
कृत्वाhaving done
कृत्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootकृ (धातु)
Formक्त्वान्त (Gerund/Absolutive), अव्ययभाव
गृहम्home
गृहम्:
Karma (कर्म)
TypeNoun
Rootगृह (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative/कर्म), एकवचन
गच्छेत्should go
गच्छेत्:
Kriya (क्रिया)
TypeVerb
Rootगम् (धातु)
Formविधिलिङ् (Optative), प्रथम-पुरुष, एकवचन; परस्मैपद
विसर्जितजलाञ्जलिःhaving poured out the water-offering (libation)
विसर्जितजलाञ्जलिः:
Karta (कर्ता)
TypeAdjective
Rootविसृज् (धातु) + जल + अञ्जलि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/कर्ता), एकवचन; बहुव्रीहि-समास (विसर्जिता जला-अञ्जलिः यस्य सः = one who has released the water-offering); क्त-प्रत्ययान्त (विसर्जित)

Lord Agni (in discourse to Vasiṣṭha, as per the Agni Purana’s usual frame)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Arthashastra","practical_application":"Post-rite mobilization and demobilization: proceed with the fourfold army with resounding signals, then return home after completing the rite and releasing the water-offering—closing the operation ritually and administratively.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Caturaṅga-Bala March Signal and Jalāñjali Visarjana (Rite Closure)","lookup_keywords":["chaturanga-bala","sainya-nada","jalanjali","visarjana","griha"],"quick_summary":"Move with the fourfold army while sounding the host, then conclude by releasing the water-offering and return—marking both tactical readiness and ritual completion."}

Weapon Type: Caturaṅga-bala (infantry, cavalry, chariots, elephants)

Concept: Power is bounded by procedure: begin with rite, act with order, end with formal release (visarjana).

Application: In governance and operations, include explicit closure steps (dismissal, offerings, return) to prevent disorder and lingering obligations.

Khanda Section: Rajadharma & Sena-vyavastha (Governance and Military Procedure)

Primary Rasa: vira

Secondary Rasa: shanta

Type: Palace/Encampment

Visual Art Cues: {"scene_description":"A vast fourfold army assembled—elephants, chariots, cavalry, infantry—raising a thunderous sound of drums and conches; afterward the king releases a handful of water to conclude and the procession returns home.","kerala_mural_prompt":"Kerala mural: panoramic caturaṅga army in stylized tiers, conches and drums prominent, elephants and chariots in profile, concluding scene with king pouring water from cupped hands, bold colors and rhythmic repetition.","tanjore_prompt":"Tanjore: glittering army standards with gold leaf, dramatic central king performing jalāñjali release, ornate instruments, rich reds and greens, embossed detailing on armor and caparisons.","mysore_prompt":"Mysore: instructional composition labeling the four limbs of the army, clear depiction of signaling instruments, then a small vignette of water-offering release and orderly return, fine lines and soft shading.","mughal_miniature_prompt":"Mughal miniature: detailed military review with drums, kettledrums, conches, varied units, then a quiet closing moment of water release near palace road, naturalistic landscape and floral borders."}

Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Bhairavi","pace":"fast","voice_tone":"epic"}

Sandhi Resolution Notes: चतुरङ्गबलोपेतः = चतुरङ्ग-बल-उपेतः; गच्छेद्विसर्जितजलाञ्जलिः = गच्छेत् विसर्जित-जलाञ्जलिः.

Related Themes: Agni Purana 267.26 (consecration and elephant ranks); Agni Purana 267.28 (bali distribution)

C
Caturaṅga-bala
S
Sena (army)
J
Jalāñjali (water-libation)

FAQs

It prescribes the formal conclusion of a military action/procession: the commander, with the fourfold army, makes the host sound (drums/clamor) and then performs a concluding jalāñjali-visarjana (water-libation release) before returning home.

Alongside theology, the Agni Purana records practical statecraft and war-protocol—here combining military organization (caturaṅga-bala) with a ritualized closure (water-libation), showing how governance and sacred procedure interlock.

The released jalāñjali functions as a purificatory and concluding act, ritually ‘dismissing’ the undertaking and marking auspicious completion, helping neutralize impurity or fault accrued in martial activity.