Narada Purana — Purva Bhaga, Shloka 34
Vyākaraṇa-saṅgraha: Pada–Vibhakti–Kāraka–Lakāra–Samāsa
विष्णुर्नभ्यो रविरयं गी फलं प्रातरच्युतः । भक्तैर्वद्योऽप्यंतरात्मा भो भो एष हरिस्तथा । एष शार्ङ्गी सैष रामः संहितैवं प्रकीर्तिता ॥ ३४ ॥
viṣṇurnabhyo ravirayaṃ gī phalaṃ prātaracyutaḥ | bhaktairvadyo'pyaṃtarātmā bho bho eṣa haristathā | eṣa śārṅgī saiṣa rāmaḥ saṃhitaivaṃ prakīrtitā || 34 ||
“Éste es Viṣṇu; del ombligo (nābhi) surge el Sol. Éste es el canto de alabanza; éste es su fruto; por la mañana debe recordarse a Acyuta. Aunque Él es el Ser interior, los devotos han de proclamar: ‘¡Oh, oh! ¡Éste es Hari!’ Éste es el portador del arco Śārṅga; éste es Rāma. Así se proclama la Saṃhitā.”
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It presents Hari (Viṣṇu) as both transcendent and immanent—He is the antarātmā (inner Self) yet lovingly invoked by devotees—showing that liberation-oriented mokṣa-dharma is fulfilled through praise and remembrance of the Lord.
Bhakti is shown as vocal praise and heartfelt calling—“eṣa hariḥ”—along with prātaḥ-smaraṇa (morning remembrance) of Acyuta; the “phala” (fruit) is linked to devotional recitation (gī) rather than mere intellectual knowledge.
It highlights practical prayoga (application) in daily sādhana—especially prātaḥ-smaraṇa and stotra/saṃhitā-style recitation—where correct utterance and disciplined timing connect to Śikṣā (phonetics) and Kalpa (ritual procedure) in lived devotion.