कालियदमना: यमुनाशुद्धिः, करुणा-निग्रहः, स्तुति-तत्त्वम्
अवतार्य भवान् पूर्वं गोकुले ऽत्र सुराङ्गनाः क्रीडार्थम् आत्मनः पश्चाद् अवतीर्णो ऽसि शाश्वत
avatārya bhavān pūrvaṃ gokule 'tra surāṅganāḥ krīḍārtham ātmanaḥ paścād avatīrṇo 'si śāśvata
First You brought down the heavenly maidens here to Gokula, that they might be companions in Your divine play; and thereafter You Yourself descended, O Eternal One.
Sage Parāśara (narrating to Maitreya)
Avatara: Krishna
Purpose: He arranges His earthly līlā by first bringing celestial companions to Gokula and then descending Himself to delight devotees and protect the world.
Leela: Bala
Dharma Restored: Establishment of divine play that nourishes bhakti and safeguards the pastoral community
Concept: The Lord’s descent is coordinated līlā—He prepares the field and companions for divine play that awakens devotion.
Vedantic Theme: Moksha
Application: Cultivate satsanga and devotional ‘companionship’ (kīrtan, sevā) as the prepared ground where bhakti naturally unfolds.
Vishishtadvaita: The Eternal enters time for līlā while remaining śāśvata, enabling relational devotion without compromising divine fullness.
Vishnu Form: Krishna
Bhakti Type: Madhurya
This verse frames Krishna’s descent as deliberate līlā: even celestial attendants are arranged first, showing the Lord’s free sovereignty and the purposeful, yet playful, mode of divine action.
Parāśara presents the avatāra as intentional and ordered—first the supporting divine company is brought to Gokula, then the Eternal Lord himself descends—highlighting control, not compulsion.
Vishnu (as Krishna) is portrayed as śāśvata, the Eternal Supreme Reality, whose incarnation is an act of will for līlā and the welfare of the world, consistent with Vaishnava devotional theology.