Previous Verse
Next Verse

Shloka 12

Śakaṭa-bhañjana, Naming by Garga, Dāmodara and Yamala-arjuna, and the Move to Vṛndāvana

गोवाटमध्ये क्रीडन्तौ वत्सवाटगतौ पुनः तदहर्जातगोवत्सपुच्छाकर्षणतत्परौ

govāṭamadhye krīḍantau vatsavāṭagatau punaḥ tadaharjātagovatsapucchākarṣaṇatatparau

Sporting in the cow-pen, they would again wander into the calves’ enclosure; and there, intent on mischief, they busied themselves in tugging at the tails of the newborn calves of that very day.

गोवाटमध्येin the middle of the cow-pen
गोवाटमध्ये:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootगोवाट (प्रातिपदिक) + मध्ये (मध्य, प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन; अधिकरण
क्रीडन्तौplaying (the two)
क्रीडन्तौ:
Karta (Subject/कर्ता)
TypeAdjective
Rootक्रीडन्त (कृदन्त, वर्तमानकृदन्त/शतृ, √क्रीड्)
Formपुंलिङ्ग, प्रथमा, द्विवचन; वर्तमानकृदन्त
वत्सवाटगतौhaving gone to the calves’ pen
वत्सवाटगतौ:
Karta (Subject/कर्ता)
TypeAdjective
Rootवत्सवाट (प्रातिपदिक) + गत (कृदन्त, भूतकृदन्त/क्त, √गम्)
Formपुंलिङ्ग, प्रथमा, द्विवचन; विशेषण—‘तौ’
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
तदहर्जातगोवत्सपुच्छाकर्षणतत्परौintent on pulling the tails of the newborn calves of that day
तदहर्जातगोवत्सपुच्छाकर्षणतत्परौ:
Karta (Subject/कर्ता)
TypeAdjective
Rootतदहर् (प्रातिपदिक/अव्ययीभाव-आधार) + जात (कृदन्त, क्त, √जन्) + गोवत्स (प्रातिपदिक) + पुच्छ (प्रातिपदिक) + आकर्षण (प्रातिपदिक, √कृष् with आ-; action noun) + तत्पर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, द्विवचन; बहुपद-तत्पुरुषसमासः; विशेषण—‘तौ’

Sage Parāśara (narrating to Maitreya)

Speaker: Parasara

Topic: Kṛṣṇa’s bāla-ceṣṭā in the cowherd settlement.

Teaching: Devotional

Quality: playful, intimate

Avatara: Krishna

Purpose: To manifest sweet, humanlike bāla-līlā in Vraja that captivates hearts and establishes bhakti as the easiest access to the Supreme.

Leela: Bala

Dharma Restored: The dharma of loving intimacy with God (mādhurya of sambandha) within ordinary pastoral life.

Concept: The Supreme Lord veils His sovereignty through ordinary childhood play, making Himself approachable through affectionate devotion rather than fear or mere awe.

Vedantic Theme: Moksha

Application: Let devotion permeate daily life—see the sacred in simple settings and cultivate loving attention instead of performative religiosity.

Vishishtadvaita: Bhagavān’s līlā shows personal accessibility (saulabhya) while remaining the supreme reality—supporting a relational, qualified non-dual approach to liberation.

Vishnu Form: Krishna

Bhakti Type: Vatsalya

K
Krishna
B
Balarama
G
Gokula/Vraja cowherds
C
calves

FAQs

This verse highlights lila—Krishna, though Supreme, adopts ordinary childhood play in Vraja, making divine reality approachable through affection and intimacy.

Parāśara narrates Krishna’s acts as simple, playful mischief, implicitly showing how the Lord’s sovereignty can be concealed beneath human-like behavior to nourish devotion.

Krishna’s “ordinary” play illustrates that the Supreme Reality is not distant—He freely enters the world and wins hearts through sweetness, reinforcing a bhakti-centered vision of the Absolute.