अक्रूर-सत्कारः, मथुरायात्रा-विरहः, यमुनातटे दिव्यदर्शनम्, चतुर्व्यूह-नमस्कारः
अनुरागेण शैथिल्यम् अस्मासु व्रजतो हरेः शैथिल्यम् उपयान्त्य् आशु करेषु वलयान्य् अपि
anurāgeṇa śaithilyam asmāsu vrajato hareḥ śaithilyam upayānty āśu kareṣu valayāny api
As Hari moves away from us, even our ardor grows slack; and swiftly, even the bangles upon our hands become loose—so does the heart’s longing unbind the body itself.
Gopis of Vraja (as narrated within Sage Parāśara’s discourse to Maitreya)
Avatara: Krishna
Purpose: Krishna withdraws from Vraja to unfold the Mathurā līlā while simultaneously revealing the extremity of gopīs’ prema through the bodily effects of separation.
Leela: Moksha-dana
Dharma Restored: Demonstrating the supremacy of exclusive devotion (ananya-bhakti) that binds even the body to the Lord’s movement.
Concept: In intense devotion, the psyche and body are integrated such that separation from the Lord visibly unravels even physical steadiness.
Vedantic Theme: Atman
Application: Notice how attention shapes the body; redirect that same intensity toward disciplined japa and kīrtana so longing becomes focused sādhana.
Vishishtadvaita: Bhakti is not mere sentiment but a real, transforming relation between the jīva (as the Lord’s mode) and Bhagavān, affecting the whole person.
Vishnu Form: Hari
Bhakti Type: Madhurya
This verse shows viraha as an intensifier of bhakti: separation from Hari makes the devotees’ inner absorption so strong that even the body reflects it, symbolized by loosening bangles.
Within Parāśara’s narration, the gopis’ speech functions as lived theology: their love for Hari is not merely emotion but a transformative spiritual state that overwhelms ordinary bodily stability.
Hari is portrayed as the supreme attractor of consciousness—so central that his absence shakes the devotees’ very sense of embodied order, highlighting Vishnu’s sovereignty over both mind and matter.