नग्न-परिभाषा तथा देव-स्तोत्रपूर्वक मायामोह-उत्पत्ति
Defining ‘Nagna’ and the Devas’ Hymn Leading to Māyāmoha
यतो भूतान्य् अशेषाणि प्रसूतानि महात्मनः यस्मिंश् च लयम् एष्यन्ति कस् तं संस्तोतुम् ईश्वरः
yato bhūtāny aśeṣāṇi prasūtāni mahātmanaḥ yasmiṃś ca layam eṣyanti kas taṃ saṃstotum īśvaraḥ
From that Great Self all beings, without remainder, are brought forth; and into Him again they pass at dissolution. Who, then, has the power to praise Him as He truly is?
Sage Parāśara (in instruction to Maitreya, in a theological-cosmological reflection)
Speaker: Parasara
Topic: The hymn’s theological ground: Viṣṇu as the source of emanation and the locus of dissolution, beyond adequate praise.
Teaching: Philosophical
Quality: revealing
Creation Stage: Primary
Cosmic Hierarchy: Brahmanda
Concept: All beings arise from the Great Self and return to Him at dissolution, rendering Him ultimately beyond complete verbal praise.
Vedantic Theme: Brahman
Application: Cultivate humility in theology and practice: use prayer as approach, while recognizing the Infinite exceeds concepts and language.
Vishishtadvaita: Affirms Viṣṇu as jagat-kāraṇa (material and efficient cause) while remaining supremely transcendent—core to qualified non-dualism’s immanence-with-transcendence.
Vishnu Form: Para-Brahman
Bhakti Type: Shanta
Jagat Karana: Yes
This verse frames all existence as emerging from the Supreme (Vishnu as the Great Self) and returning to Him at dissolution, establishing cosmic cycles as expressions of divine sovereignty.
By stating that all beings arise from and merge into Him, Parāśara implies the Lord’s nature is so all-encompassing that no finite speaker can fully describe Him.
Vishnu is presented as Para Brahman—the ultimate source and final refuge of all beings—supporting a devotional yet metaphysically supreme understanding central to later Vaishnava Vedanta.