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Shloka 30

सप्तद्वीप-समुद्र-प्रमाणम्: प्लक्षादि-द्वीपवर्णनं, लोकालोक-सीमा, चन्द्र-समुद्र-वृद्धिक्षयः

शाल्मले ये तु वर्णाश् च वसन्त्य् एते महामुने कपिलाश् चारुणाः पीताः कृष्णाश् चैव पृथक् पृथक्

śālmale ye tu varṇāś ca vasanty ete mahāmune kapilāś cāruṇāḥ pītāḥ kṛṣṇāś caiva pṛthak pṛthak

O great sage, the varṇas (peoples) dwelling in Śālmaladvīpa are distinct: some are kapila (tawny), some aruna (ruddy), some pīta (yellow), and some kṛṣṇa (black), each set apart in its own kind.

शाल्मलेin Śālmala (varṣa/region)
शाल्मले:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootशाल्मल (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
येwho/which
ये:
Karta (Subject/कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; सम्बन्धबोधक-सर्वनाम (relative pronoun)
तुindeed/but
तु:
Sambandha (Discourse particle/सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle)
वर्णाःcolors/classes (varṇas)
वर्णाः:
Karta (Subject/कर्ता)
TypeNoun
Rootवर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-निपात
वसन्तिdwell/abide
वसन्ति:
Kriya (Action/क्रिया)
TypeVerb
Rootवस् (धातु)
Formलट् (Present), प्रथमपुरुष (3rd person), बहुवचन; परस्मैपद
एतेthese
एते:
Karta (Subject/कर्ता)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; सर्वनाम
महामुनेO great sage
महामुने:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootमहा (प्रातिपदिक) + मुनि (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (Vocative), एकवचन; कर्मधारय (महान् मुनिः)
कपिलाःtawny
कपिलाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootकपिल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-निपात
अरुणाःreddish
अरुणाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootअरुण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण
पीताःyellow
पीताः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootपीत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण
कृष्णाःblack
कृष्णाः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootकृष्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषण
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-निपात
एवindeed
एव:
Sambandha (Emphasis/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारणार्थक-निपात
पृथक्separately
पृथक्:
Sambandha (Adverbial/सम्बन्ध)
TypeIndeclinable
Rootपृथक् (अव्यय)
Formअव्यय (adverb: separately)
पृथक्each separately
पृथक्:
Sambandha (Adverbial/सम्बन्ध)
TypeIndeclinable
Rootपृथक् (अव्यय)
Formअव्यय (पुनरुक्ति; emphasis)

Sage Parāśara (speaking to Maitreya)

Speaker: Parasara

Topic: Description of the peoples of Śālmaladvīpa and their distinct physical complexions.

Teaching: Cosmological

Quality: descriptive, ethnographic

Cosmic Hierarchy: Dvipas (continents)

Concept: Human diversity is presented as a regional feature within the cosmic order rather than as a spiritual hierarchy.

Vedantic Theme: Dharma

Application: Approach descriptions of bodily difference as contextual cosmography; cultivate equal regard (sama-darśana) and focus on virtues and devotion rather than externals.

Vishishtadvaita: All embodied beings, though varied in attributes, are equally śeṣa (dependent) upon the Lord; plurality of bodies does not negate unity of divine indwelling governance.

Vishnu Form: Narayana (cosmic)

P
Parāśara
M
Maitreya
Ś
Śālmaladvīpa

FAQs

In this verse, Śālmaladvīpa is presented as one of the Purāṇic continental realms where humanity appears in distinct groups, illustrating the text’s broader cosmic-geographical ordering of the world.

Parāśara describes the inhabitants as separate groups characterized by different complexions (kapila, aruṇa, pīta, kṛṣṇa), treating diversity as part of the structured cosmic landscape he is narrating to Maitreya.

Even when Vishnu is not named in the verse, the Vishnu Purana frames such cosmic arrangements as expressions of the sustaining, ordering power of Vishnu—the Supreme Reality who upholds the universe’s harmonious structure.