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Shloka 47

Pracetās, Māriṣā, Dakṣa’s Re-manifestation, and the Brahma-parastava; Cyclic Creation and Genealogies

वृक्षाद् वृक्षं ययौ बाला तदग्रारुणपल्लवैः निर्मार्जमाना गात्राणि गलत्स्वेदजलानि वै

vṛkṣād vṛkṣaṃ yayau bālā tadagrāruṇapallavaiḥ nirmārjamānā gātrāṇi galatsvedajalāni vai

The young maiden went from tree to tree, wiping her limbs with the reddish tender shoots at their tips, as beads of sweat streamed down her body.

वृक्षात्from a tree
वृक्षात्:
Apadana (अपादान/Source)
TypeNoun
Rootवृक्ष (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन
वृक्षम्to a tree
वृक्षम्:
Karma (कर्म/Goal as object)
TypeNoun
Rootवृक्ष (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
ययौwent
ययौ:
Kriya (क्रिया)
TypeVerb
Rootया (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद
बालाthe girl
बाला:
Karta (कर्ता/Subject)
TypeNoun
Rootबाल (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
तदग्रारुणपल्लवैःwith those reddish tip-leaves
तदग्रारुणपल्लवैः:
Karana (करण/Instrument)
TypeNoun
Rootतद् (सर्वनाम) + अग्र (प्रातिपदिक) + अरुण (प्रातिपदिक) + पल्लव (प्रातिपदिक)
Formसमास-समूह (तस्य अग्रे अरुणाः पल्लवाः); पुंलिङ्ग, तृतीया, बहुवचन
निर्मार्जमानाwiping/cleansing
निर्मार्जमाना:
Karta (कर्ता) के विशेषण
TypeAdjective
Rootनि-मार्ज् (धातु) + शानच् (कृदन्त)
Formवर्तमानकाले कर्तरि कृदन्त (present active participle); स्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण
गात्राणिlimbs
गात्राणि:
Karma (कर्म/Object)
TypeNoun
Rootगात्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, बहुवचन
गलत्dripping
गलत्:
Visheshana (विशेषण)
TypeAdjective
Rootगल् (धातु) + शतृ (कृदन्त)
Formवर्तमानकाले कृदन्त (present participle); नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासे पूर्वपद-रूप
स्वेदजलानिdrops of sweat-water
स्वेदजलानि:
Karma (कर्म/Object)
TypeNoun
Rootस्वेद (प्रातिपदिक) + जल (प्रातिपदिक)
Formतत्पुरुष-समास (स्वेदस्य जलानि); नपुंसकलिङ्ग, द्वितीया, बहुवचन
वैindeed
वै:
Sambandha (सम्बन्ध/Discourse particle)
TypeIndeclinable
Rootवै (अव्यय)
Formअव्यय; निपात (emphatic particle)

Sage Parāśara (narrating to Maitreya)

Speaker: Parasara

Topic: Continuation of the maiden’s flight and the bodily signs (sweat) that will become the medium for the extraordinary birth narrative.

Teaching: Historical

Quality: revealing

M
Maiden (bālā)

FAQs

This verse uses tactile forest imagery—tender red shoots and flowing sweat—to make the narrative emotionally immediate, grounding larger dynastic and dharmic themes in lived human experience.

By detailing the maiden’s movement from tree to tree and her wiping away sweat, Parāśara highlights physical exertion as part of the unfolding story, a concrete backdrop against which moral and spiritual consequences later become intelligible.

Even when Vishnu is not explicitly named, the Purana’s narrative world is framed by Vishnu’s sovereign order—human events and their outcomes are presented as occurring within the larger dharmic cosmos sustained by the Supreme Reality.