Brahmā–Viṣṇu Garva-vādaḥ
The Dispute of Pride Between Brahmā and Viṣṇu
वीज्यमानं विशेषजैः स्त्रीजनैस्तीव्रभावनैः । शस्यमानं सदावेदैरनुगृह्णंतमीश्वरम्
vījyamānaṃ viśeṣajaiḥ strījanaistīvrabhāvanaiḥ | śasyamānaṃ sadāvedairanugṛhṇaṃtamīśvaram
He—the Lord, Īśvara—was being fanned by devoted women of excellent conduct, their hearts intensely absorbed in reverence; and the Vedas continually hymned Him, while He, the Supreme Īśvara, bestowed grace upon all.
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
It highlights Śiva’s anugraha (saving grace): when devotees worship with intense bhāva and the Vedas proclaim His glory, the Lord responds not as a distant absolute but as the compassionate Pati who uplifts souls.
The scene depicts personal, reverential service (upacāra) and praise, characteristic of Saguna worship—often offered to the Liṅga or a manifest form—through which devotees approach the transcendent Lord and receive His grace.
Offer upacāras with focused devotion—such as fanning (cāmara/chauri-sevā), reciting Vedic or Śaiva stotras, and mentally sustaining one-pointed bhāva—seeking Śiva’s anugraha rather than mere outward performance.