Brahmā–Viṣṇu Garva-vādaḥ
The Dispute of Pride Between Brahmā and Viṣṇu
सव्योत्तरेतरपदं तदर्हितकरां बुजम् । स्वगणैः सर्वतो जुष्टं सर्वलक्षणलक्षितम्
savyottaretarapadaṃ tadarhitakarāṃ bujam | svagaṇaiḥ sarvato juṣṭaṃ sarvalakṣaṇalakṣitam
His left and right feet were set in perfect poise; His lotus-like hands were held in fitting and worthy mudrās. Surrounded on every side by His own gaṇas, He bore all auspicious marks, fully endowed with every divine characteristic.
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
Jyotirlinga: Viśvanātha
Sthala Purana: Viśveśvara (Kāśī) is praised as the Lord of the universe; the scene’s courtly, gaṇa-surrounded epiphany aligns with Kāśī’s theology of Śiva as the ever-present sovereign who grants liberation to those who approach him.
Significance: Darśana of Viśvanātha is held to confer pāpa-kṣaya and, in Kāśī’s special doctrine, readiness for anugraha leading to liberation (especially through Śiva’s saving presence).
The verse emphasizes Saguna-darśana: contemplating Shiva’s auspicious form—balanced stance, sacred hand-gestures, and divine marks—so the mind becomes steady and receptive to His grace, which leads the bound soul (paśu) toward liberation under the Lord (Pati).
Though Liṅga-worship points to the transcendent (nirguṇa) reality, the Purāṇa also validates Saguna contemplation: visualizing Shiva with auspicious lakṣaṇas and surrounded by gaṇas supports devotion, concentration, and reverence that culminate in Liṅga-centered worship and realization.
Practice dhyāna (meditation) on Shiva’s form as described—steady posture and sacred mudrā-like hands—while repeating the Pañcākṣarī mantra “Om Namaḥ Śivāya,” optionally with vibhūti (tripuṇḍra) and rudrākṣa to reinforce Shaiva discipline.