भैरवावतारलीलावर्णनम् (Bhairava-avatāra-līlā-varṇanam) — “Narration of the Divine Play of Bhairava’s Descent”
प्रमथैः सेव्यमानोऽपि ह्येकदा विहरन्हरः । कापालिको ययौ स्वैरी नारायणनिकेतनम्
pramathaiḥ sevyamāno'pi hyekadā viharanharaḥ | kāpāliko yayau svairī nārāyaṇaniketanam
Even while being attended upon by the Pramathas, Hara (Lord Śiva) once, roaming freely in the guise of a Kāpālika ascetic, went to the abode of Nārāyaṇa (Viṣṇu).
Suta Goswami
Tattva Level: pati
Shiva Form: Kaṅkālamūrti
Sthala Purana: The verse sets up a Hari-Hara encounter (Śiva visiting Nārāyaṇa’s abode) in a Kāpālika guise; not tied to a Jyotirliṅga site.
Significance: Highlights Śiva’s līlā and concealment (tirodhāna): the Lord veils majesty in an ascetic guise, testing and elevating divine and worldly beings toward right recognition.
It highlights Śiva’s absolute freedom (svātantrya) and his compassionate leelā: though the Supreme Lord is ever worshiped, he moves among worlds in approachable forms to guide beings and to reveal the harmony of divine powers.
Śiva appearing as a Kāpālika shows Saguna Śiva—God with attributes—taking a concrete, symbolic form. Such forms support devotion and contemplation, just as the Liṅga serves as a focused, aniconic support for realizing Śiva’s transcendent nature.
The Kāpālika motif points to austere Shaiva sādhanā—inner renunciation, steady japa of the Pañcākṣarī (Om Namaḥ Śivāya), and Shaiva marks like bhasma (tripuṇḍra) and rudrākṣa—used as aids for discipline and remembrance of Śiva.