देवस्तुतिः — Hymn of Praise by the Devas
Devastuti
इति श्रीशिवमहापुराणे द्वितीयायां रुद्रसंहितायां पञ्चमे युद्धखण्डे जलंधरवधोपाख्याने देवस्तुतिवर्णनं नाम पंचविंशोऽध्यायः
iti śrīśivamahāpurāṇe dvitīyāyāṃ rudrasaṃhitāyāṃ pañcame yuddhakhaṇḍe jalaṃdharavadhopākhyāne devastutivarṇanaṃ nāma paṃcaviṃśo'dhyāyaḥ
Thus ends the twenty-fifth chapter, called “The Description of the Devas’ Hymn,” in the Jalandhara-Slaying episode, within the fifth section, the Yuddha-khaṇḍa, of the second compilation (Rudra-saṃhitā) of the Śrī Śiva Mahāpurāṇa.
Suta Goswami (traditional Purana colophon context, concluding the chapter narration to the sages at Naimisharanya)
Sthala Purana: Colophon marking the closure of the chapter ‘Devastuti-varṇana’ within the Jalandhara-vadha upākhyāna; functions as textual framing rather than a site-specific sthala narrative.
Significance: Liturgical cue: signals completion (pāṭha-phala/adhyāya-parisamāpti) and invites reflective assimilation of the stuti and its exempla.
This is a colophon marking the completion of a chapter focused on the Devas’ praise of Shiva, emphasizing that bhakti expressed through stuti is a recognized Shaiva means of aligning the soul (paśu) with the Lord (Pati) for grace and protection.
By naming the chapter as a “devastuti,” it frames Shiva as the approachable Saguna Lord who receives hymns and devotion; such praise is commonly directed to Shiva as Linga and as the personal, compassionate deity who responds to surrender.
The takeaway is to adopt stuti as a daily practice—reciting Shiva-hymns with devotion (often alongside japa of “Om Namaḥ Śivāya”) as a simple, Purāṇic method of worship and inner steadiness.