शिवरूपदर्शनम्
Menā’s Vision of Śiva’s Divine Form
विश्वावसुमुखास्तत्र ह्यप्सरोगणसंयुताः । गायन्तोप्यग्रतस्तस्य परमं शाङ्करं यशः
viśvāvasumukhāstatra hyapsarogaṇasaṃyutāḥ | gāyantopyagratastasya paramaṃ śāṅkaraṃ yaśaḥ
There, headed by Viśvāvasu and accompanied by companies of Apsarās, they sang before him the supreme glory of Śaṅkara (Lord Śiva).
Suta Goswami
Tattva Level: pati
Shiva Form: Naṭarāja
Sthala Purana: Not a Jyotirliṅga narrative; it depicts gandharva-apsaras musical praise as part of divine celebration around Śiva.
Significance: Highlights saṅgīta-sevā (musical offering) as a bhakti-mode; devotees may offer kīrtana/nāma-saṅkīrtana to stabilize mind and invoke Śiva’s presence.
Type: stotra
The verse highlights bhakti expressed as stuti/kīrtana: even celestial beings proclaim Śiva’s “parama yaśas,” implying that remembrance and praise of Pati (Śiva) purifies the mind and turns it toward grace, a key Shaiva Siddhanta emphasis for liberation.
By praising “Śāṅkara,” the verse reflects Saguna devotion—adoring Śiva with attributes and glory. In Shiva Purana practice, such praise naturally supports Liṅga-worship, where devotees honor Śiva’s manifest presence and sing his greatness before the deity.
Kīrtana and stotra-pāṭha (devotional singing/recitation) are implied—regularly chanting Śiva’s names and hymns (including the Panchākṣarī “Om Namaḥ Śivāya”) as a focused practice of remembrance and devotion.