अनरण्यसुता–पिप्पलादचरितम् / The Episode of Anaraṇya’s Daughter and Sage Pippalāda
चारुरत्नरथस्थश्च नानालं कारभूषितः । नवीनयौवनश्श्रीमान्कामदेवसभप्रभः
cāruratnarathasthaśca nānālaṃ kārabhūṣitaḥ | navīnayauvanaśśrīmānkāmadevasabhaprabhaḥ
Mounted upon a splendid jewel-studded chariot and adorned with many ornaments, he appeared in the freshness of youth—radiant and resplendent, like Kāma-deva in his own assembly.
Suta Goswami
Tattva Level: pasha
Shiva Form: Paśupatinātha
Sthala Purana: Not a Jyotirliṅga passage; the ornamented, youthful appearance supports the narrative strategy of concealment (tirodhāna) through alluring form.
The verse uses the imagery of youthful beauty and ornamented radiance to portray an exalted, captivating presence, reminding devotees that even the finest worldly splendor is ultimately meaningful when it turns the mind toward devotion and the Lord’s grace rather than toward mere desire.
Such descriptions support Saguna-bhakti—meditating on the Lord’s manifest glory and auspicious attributes—while the Shiva Purana ultimately directs that devotion toward the timeless reality signified by the Linga, transcending attraction to external forms.
A practical takeaway is rupa-dhyana (contemplation of divine auspicious radiance) combined with japa of the Pañcākṣarī mantra, “Om Namaḥ Śivāya,” to purify kama (desire) into bhakti.