HomeMatsya PuranaAdh. 47Shloka 107
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Shloka 107

Matsya Purana — Yadu Lineage

अनुव्याहृत्य विष्णुं स तदादाय शिरस्त्वरन् समानीय ततः कायम् असौ गृह्येदमब्रवीत् //

anuvyāhṛtya viṣṇuṃ sa tadādāya śirastvaran samānīya tataḥ kāyam asau gṛhyedamabravīt //

Having repeatedly invoked Viṣṇu, he hurriedly lifted it onto his head; then, bringing it to hand and taking hold of the body, he spoke these words.

अनुव्याहृत्य (anuvyāhṛtya)having repeatedly uttered/recited (as an invocation)
अनुव्याहृत्य (anuvyāhṛtya):
विष्णुम् (viṣṇum)Viṣṇu (the all-pervading Lord)
विष्णुम् (viṣṇum):
स (sa)he
स (sa):
तद्-आदाय (tad-ādāya)having taken that (object/person)
तद्-आदाय (tad-ādāya):
शिरः (śiraḥ)head
शिरः (śiraḥ):
त्वरण् (tvaran)hastening, in great urgency
त्वरण् (tvaran):
समानीय (samānīya)having brought near/assembled/led (it) to the proper place
समानीय (samānīya):
ततः (tataḥ)then/thereafter
ततः (tataḥ):
कायम् (kāyam)the body, physical form
कायम् (kāyam):
असौ (asau)that man/he (the one in view)
असौ (asau):
गृह्य (gṛhya)having grasped/holding
गृह्य (gṛhya):
इदम् (idam)this
इदम् (idam):
अब्रवीत् (abravīt)said, spoke.
अब्रवीत् (abravīt):
Narrator (Sūta tradition) describing the devotee/actor within the Matsya–Manu episode; the immediate speaker at the end of the verse is the same actor ('he spoke')
Vishnu
PralayaRitual InvocationDevotionMatsya-Avatara ContextManu Narrative

FAQs

It foregrounds the deluge-episode mood of urgency and reliance on Viṣṇu: in crisis, the actor invokes Viṣṇu and performs swift, purposeful actions before issuing instructions—typical of Pralaya narrative sequencing.

It models dharmic conduct under pressure: begin undertakings with remembrance of Viṣṇu, act decisively, and then speak guidance—an ideal of disciplined leadership and household responsibility in dangerous circumstances.

The ritual takeaway is the primacy of mantra-like invocation (Viṣṇu-smaraṇa/uccāraṇa) before an act; while not a Vāstu rule, it reflects the Purāṇic principle that correct speech and consecratory remembrance precede practical procedures.