HomeMatsya PuranaAdh. 154Shloka 37
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Shloka 37

Matsya Purana — The Strategy to Defeat Tāraka: Pārvatī’s Birth

उपयोग्यतया विवृतं सुचिरं विमलद्युतिपूरितदिग्वदनम् भवतैव विनिर्मितमादियुगे सुरहेतिसमूहम् अनुत्थमिदम् //

upayogyatayā vivṛtaṃ suciraṃ vimaladyutipūritadigvadanam bhavataiva vinirmitamādiyuge surahetisamūham anutthamidam //

This assembly of the gods’ weapons—fit for use, long displayed, and facing all directions filled with stainless radiance—was fashioned by you yourself in the primordial age; it stands unmoved and unshaken.

upayogyatayāwith fitness for use, in a serviceable manner
upayogyatayā:
vivṛtamspread out, displayed, set forth
vivṛtam:
suciramfor a long time, enduringly
suciram:
vimala-dyutipure/stainless radiance
vimala-dyuti:
pūritafilled, pervaded
pūrita:
dig-vadanamdirection-faced, facing all quarters
dig-vadanam:
bhavatā evaby you alone/indeed by you
bhavatā eva:
vinirmitamwell-fashioned, constructed
vinirmitam:
ādi-yugein the first age/primordial era
ādi-yuge:
sura-heti-samūhamthe collection (samūha) of divine weapons/implements (heti) of the gods (sura)
sura-heti-samūham:
anutthamnot risen up, not displaced, not stirred (i.e., stable/undisturbed)
anuttham:
idamthis.
idam:
Vaivasvata Manu (addressing Lord Matsya/Vishnu in praise within the dialogue frame)
Vaivasvata ManuLord MatsyaVishnuSuras (gods)Divine weapons (Sura-hetis)
PralayaCosmogonyDivine WeaponsPrimordial AgeVishnu-Matsya

FAQs

It emphasizes a primordial act of divine ordering: the Lord establishes enduring, stable divine implements (the gods’ weapons) that remain undisturbed—suggesting cosmic stability even across vast cycles associated with Pralaya.

By praising “fitness for use” and enduring order, the verse indirectly supports the Matsya Purana’s ethic that rulers and householders should create systems and resources that are practical, stable, and protective—mirroring divine governance and safeguarding society.

While not a direct Vastu rule, the imagery of “facing all directions” and “pervading radiance” aligns with ritual-architectural ideals of directional orientation (dik) and auspicious luminosity—key themes later formalized in Matsya Purana’s temple and iconography sections.