Shloka 20

Matsya Purana — The Pushkara Manifestation

Devanagari script

यं कालं तौ गतौ मुक्तौ ब्रह्मा तं कालमेव हि ततो घोरतमं भूयः संश्रितः परमं व्रतम् //

Transliteration

yaṃ kālaṃ tau gatau muktau brahmā taṃ kālameva hi tato ghoratamaṃ bhūyaḥ saṃśritaḥ paramaṃ vratam //

Translation

The very time in which those two attained release and departed—Brahmā indeed entered that very Time; thereafter, adopting an even more formidable discipline, he again undertook the supreme vow.

Word by Word

• yam kālam: that time/period

• tau: those two (persons/beings)

• gatau: having gone/departed

• muktau: having attained liberation/freedom

• brahmā: Brahmā

• tam kālam eva hi: that very Time indeed (and none other)

• tataḥ: then/thereafter

• ghoratamam: most terrible/most austere

• bhūyaḥ: again/further

• saṃśritaḥ: resorted to/undertook

• paramam vratam: the highest vow/supreme observance (austerity).

Speaker

• Likely Lord Matsya (narrating to Vaivasvata Manu) in the Matsya Purana’s continuous dialogue frame

Entities Mentioned

• Brahma
• Kala (Time)

Tags

• Pralaya
• Kala
• Brahma
• Tapas
• Vratadharma

FAQs

What does this verse reveal about the creation or dissolution (Pralaya)?

It frames liberation and cosmic transition in terms of Kāla (Time), implying that even Brahmā’s activity proceeds under (and into) Time—an idea often used in Purāṇic pralaya/renewal discussions.

How does this verse relate to the duties of a King or Householder?

By highlighting “parama-vrata” (supreme vow) and intensified discipline, it supports the Matsya Purana’s ethic that rightful action includes regulated vows and austerity—principles kings and householders adopt as niyama for self-mastery and dharmic governance.

What is the architectural or ritual significance mentioned here?

Direct vāstu rules are not stated, but the verse is ritually relevant: it emphasizes vrata/tapas as a prerequisite mindset for major rites (and, by extension, temple/ritual undertakings) in Matsya Purana traditions.