HomeMatsya PuranaAdh. 171Shloka 21

Shloka 21

Matsya Purana — The Pushkara Manifestation

न रेमे ऽथ ततो ब्रह्मा प्रभुरेकस्तपश्चरन् शरीरार्धात्ततो भार्यां समुत्पादितवाञ्छुभाम् //

na reme 'tha tato brahmā prabhurekastapaścaran śarīrārdhāttato bhāryāṃ samutpāditavāñchubhām //

Then Brahmā, the sovereign Lord, did not delight in solitude; practicing austerity alone, he thereafter brought forth from one half of his own body an auspicious wife.

न (na)not
न (na):
रेमे (reme)rejoiced/delighted
रेमे (reme):
अथ (atha)then
अथ (atha):
ततः (tataḥ)thereafter
ततः (tataḥ):
ब्रह्मा (brahmā)Brahmā
ब्रह्मा (brahmā):
प्रभुः (prabhuḥ)lord/master
प्रभुः (prabhuḥ):
एकः (ekaḥ)alone
एकः (ekaḥ):
तपश्चरन् (tapaścaran)practicing austerity
तपश्चरन् (tapaścaran):
शरीरार्धात् (śarīrārdhāt)from half of (his) body
शरीरार्धात् (śarīrārdhāt):
ततः (tataḥ)then/thereupon
ततः (tataḥ):
भार्याम् (bhāryām)wife/consort
भार्याम् (bhāryām):
समुत्पादितवान् (samutpāditavān)produced/manifested
समुत्पादितवान् (samutpāditavān):
शुभाम् (śubhām)auspicious, blessed
शुभाम् (śubhām):
Lord Matsya (Vishnu) narrating to Vaivasvata Manu (contextual cosmological narration)
BrahmāBhāryā (consort)Śarīrārdha (half-body motif)
CreationCosmogonyBrahmāTapasPuranic Genealogy

FAQs

It highlights creation (sarga), showing that through Brahmā’s tapas and the impulse to overcome solitude, a creative polarity (consort) is manifested—an essential step for further progeny and cosmic expansion.

By portraying the consort as “śubhā” (auspicious) and creation as arising from disciplined tapas, it supports the Purāṇic ideal that household life and lineage should be grounded in self-restraint, sacred intention, and dharmic partnership.

No direct Vāstu/temple rule appears in this verse; its ritual takeaway is the primacy of tapas (austerity) as the generative spiritual force that precedes orderly manifestation—an idea often echoed in consecration (pratiṣṭhā) and ritual discipline.