Secondary Creation Begins: Brahmā’s Productions, the Guṇas, and the Emergence of Orders of Beings
तां क्वणच्चरणाम्भोजां मदविह्वललोचनाम् । काञ्चीकलापविलसद्दुकूलच्छन्नरोधसम् ॥ २९ ॥
tāṁ kvaṇac-caraṇāmbhojāṁ mada-vihvala-locanām kāñcī-kalāpa-vilasad- dukūla-cchanna-rodhasam
The body Brahmā cast off became the form of evening twilight, the meeting of day and night that stirs desire. The asuras, passionate by nature and ruled by rajas, mistook it for a maiden: her lotus feet rang with anklets, her eyes were dazed with intoxication, and her hips, veiled in fine cloth, shone with a gleaming girdle.
As early morning is the period for spiritual cultivation, the beginning of evening is the period for passion. Demoniac men are generally very fond of sex enjoyment; therefore they very much appreciate the approach of evening. The demons took the approach of the evening twilight to be a beautiful woman, and they began to adore her in various ways. They imagined the twilight to be a very beautiful woman with tinkling bangles on her feet, a girdle on her hips, and beautiful breasts, and for their sexual satisfaction they imagined the appearance of this beautiful girl before them.
This verse describes Devahūti’s graceful appearance—her ankleted lotus feet, intoxicated eyes, jeweled girdle, and silk garment—as Kardama Muni beholds her.
He narrates Kardama and Devahūti’s episode to illustrate the unfolding of creation and the Bhagavatam’s teaching that even worldly roles like marriage can be aligned with dharma and devotion.
Appreciate beauty without exploitation—see relationships and attraction through the lens of responsibility, self-control, and spiritual purpose (dharma leading toward devotion).