
Rishi: Atharvanic tradition (Kāma-charm attribution)
Devata: Kāma (Desire), personified as archer/force
Chandas: Mixed/irregular Atharvanic (prose-like opening tag + anuṣṭubh-like cadence)
Mantra 1
कामस्य इषुः। उ॒त्तु॒दस्त्वोत् तु॑दतु॒ मा धृ॑थाः॒ शय॑ने॒ स्वे। इषुः॒ काम॑स्य॒ या भी॒मा तया॑ विध्यामि त्वा हृ॒दि
Kāma’s arrow: let the goad prick thee—prick thee; hold not firm upon thine own bed. With Kāma’s arrow, the dreadful one, therewith I pierce thee in the heart.
Mantra 2
आ॒धीप॑र्णां॒ काम॑शल्या॒मिषुं॑ संक॒ल्पकु॑ल्मलाम्। तां सुसं॑नतां कृ॒त्वा कामो॑ विध्यतु त्वा हृ॒दि
The love-barbed arrow, leaf-feathered, budded with firm intent—having wrought it well-bent—let Kāma pierce thee in the heart.
Mantra 3
या प्ली॒हानं॑ शो॒षय॑ति॒ काम॒स्येषुः॒ सुसं॑नता । प्रा॒चीन॑पक्षा॒ व्योऽषा॒ तया॑ विध्यामि त्वा हृ॒दि
That well-bent arrow of Kāma which drieth up the spleen—forward-winged, the pungent vyoṣā—therewith I pierce thee in the heart.
Mantra 4
शु॒चा वि॒द्धा व्योऽषया॒ शुष्का॑स्या॒भि स॑र्प मा । मृ॒दुर्निम॑न्युः॒ केव॑ली प्रियवा॒दिन्यनु॑व्रता
Pierced with burning pain by pungent vyoṣā, dry-mouthed—creep thou unto me: gentle, thy wrath laid down, mine wholly, sweet-speaking, obedient to my will.
Mantra 5
आजा॑मि॒ त्वाज॑न्या॒ परि॑ मा॒तुरथो॑ पि॒तुः । यथा॒ मम॒ क्रता॒वसो॒ मम॑ चि॒त्तमु॒पाय॑सि
Hither I call thee, O intimate, away from thy folk—away from mother and from father—so that, O helper of my resolve, thou mayest come unto my mind, yea, unto my intent.
Mantra 6
व्यऽस्यै मित्रावरुणौ हृ॒दश्चि॒त्तान्य॑स्यतम्। अथै॑नामक्र॒तुं कृ॒त्वा ममै॒व कृ॑णुतं॒ वशे॑
Asunder, O Mitra-Varuṇa, cast ye from her heart her thoughts; then, having made her void of purpose, set her—mine only—under my control.
It is a love-compulsion hymn that treats desire as a forceful weapon. The verses aim to make the target restless, draw her to the operator, and enforce exclusive attachment.
Mitra–Varuṇa function as cosmic ‘binders’ who can restrain and re-order intentions. Here they are asked to break apart the target’s thoughts and place her under control, reinforcing coercion beyond mere attraction.
Vyoṣā is a pungent triad (commonly dry ginger, black pepper, and long pepper). The hymn uses its sensory qualities as a symbol for the bodily signs of longing—heat, dryness, and agitation—so the target ‘cannot stay put’ and comes seeking relief through union.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.