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Varaha Purana 159.9 — Adhyaya 159, Shloka 9

The Procedure and Merit of Circumambulating Mathurā

एतैरनेकधा देवैः ससागरवना मही ॥ क्रमिता बलिना चैव बाह्यमण्डलरेखया ॥

etair anekadhā devaiḥ sa-sāgara-vanā mahī || kramitā balinā caiva bāhya-maṇḍala-rekhayā ||

Von diesen Göttern ist die Erde—mitsamt ihren Ozeanen und Wäldern—auf vielerlei Weise durchmessen worden; ebenso auch von Bali, entlang der Linie des äußeren Kreises (Umfangs).

एतैःby these
एतैः:
करण/सहकर्ता (Instrument/agent group)
TypeAdjective
Rootएतद् (सर्वनाम/प्रातिपदिक)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), बहुवचन (Plural); सर्वनाम (pronoun)
अनेकधाin many ways / repeatedly
अनेकधा:
क्रियाविशेषण (Adverbial modifier)
TypeIndeclinable
Rootअनेकधा (अव्यय)
Formअव्यय; क्रियाविशेषण (Adverb: manner)
देवैःby the gods
देवैः:
करण/सहकर्ता (Instrument/agent)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), बहुवचन (Plural)
स-सागर-वनātogether with oceans and forests
स-सागर-वनā:
विशेषण (Qualifier of महī)
TypeAdjective
Rootस (अव्यय/सह) + सागर (प्रातिपदिक) + वन (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular); उपपद-तत्पुरुष/सह-समास ('with oceans and forests')
महीthe earth
मही:
कर्म (Object/कर्म)
TypeNoun
Rootमही (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular)
क्रमिताwas traversed / was stepped around
क्रमिता:
क्रिया (Passive predicate)
TypeVerb
Rootक्रम् (धातु) → क्रमित (कृदन्त/PPP)
Formभूतकर्मणि कृदन्त (Past Passive Participle/क्त), स्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular); कर्मणि प्रयोग (passive sense)
बलिनाby the mighty one (Bali)
बलिना:
करण/कर्तृ (Agent in passive/कर्ता)
TypeNoun
Rootबलिन् (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), एकवचन (Singular)
and
:
समुच्चय (Coordinator)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक-निपात (Conjunction)
एवindeed
एव:
निपात (Emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण-निपात (Emphatic particle)
बाह्य-मण्डल-रेखयाby the outer circular line (boundary)
बाह्य-मण्डल-रेखया:
करण (Instrument/means)
TypeNoun
Rootबाह्य (प्रातिपदिक) + मण्डल (प्रातिपदिक) + रेखा (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), तृतीया-विभक्ति (Instrumental/3rd), एकवचन (Singular); तत्पुरुष-समास (determinative chain: 'by the line of the outer circle')

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"parikrama_context":"Implied by ‘क्रमिता’ and ‘बाह्यमण्डलरेखया’: a circumambulatory traversal along an outer perimeter line, but not localized to Mathurā."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘outer circle line’ (bāhya-maṇḍala-rekhā) frames Earth as a mandala suitable for parikrama; traversal becomes a ritualized mapping of the world-body, resonant with Purāṇic mandala-thinking (cosmos as a circumambulated sacred diagram).","yajna_varaha_imagery":"Mandala/perimeter as a ritual boundary (paridhi) analog; Earth with oceans/forests as the ‘field’ to be ritually encompassed (no explicit Varāha-limb mapping).","vedantic_connection":"Seeing the world as a mandala encourages a non-fragmented vision (sarvaṃ brahma/viṣṇu-vyāpti): the whole is one ordered field, not merely a collection of places."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"sacred geography/ritual worldview","core_concept":"Earth is a mandala: to ‘traverse’ it is to engage a sacred totality; only extraordinary beings (and Bali) can encompass its perimeter.","practical_application":"Let local pilgrimage mirror the ideal of parikrama: circumambulate one’s chosen kṣetra with the awareness that it represents the whole Earth-mandala."}

Subject Matter: ["Geography","Cosmology","Ecology"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: global sacred geography (bhū-maṇḍala)

Related Themes: Varāha Purāṇa tīrtha and kṣetra descriptions where ‘क्रम’/parikrama language appears (general internal linkage)

Visual Art Cues: {"scene_description":"A cosmic map-vision: Earth shown with ringed oceans and green forest belts; luminous beings traverse routes; Bali traces a clear outer circular line around the world-mandala.","item_prompts":["circular earth-mandala","concentric ocean rings","forest band","tiny traveling figures/devas","Bali marking a perimeter line (rekhā)","compass/mandala geometry"],"kerala_mural_prompt":"Kerala mural: bold circular bhū-maṇḍala with concentric bands; stylized devas moving along paths; Bali at the rim drawing a bright boundary line.","tanjore_prompt":"Tanjore: embossed concentric circles with gold leaf; Bali highlighted at the circumference; jewel-toned oceans/forests with ornate symmetry.","mysore_prompt":"Mysore: precise mandala geometry, delicate shading for oceans/forests; figures rendered with classical restraint; emphasis on the ‘rekhā’ line.","pahari_prompt":"Pahari: simplified circular world with bright bands; narrative clarity—Bali walking the rim; airy sky and minimal ornament."}

Audio Atmosphere: {"recitation_mood":"majestic-descriptive","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"resonant, widening on ‘ससागरवना मही’ and crisp on ‘बाह्यमण्डलरेखया’"}

C
Classical Literature
A
Ancient Geography
E
Ecological Narratives
P
Purāṇic Cosmography

FAQs

It preserves an ecological imagination of the world (oceans/forests) embedded in sacred geography, valuable for environmental humanities readings of Purāṇas.

The Earth described as a system including oceans and forests; “outer circle” suggests a conceptual perimeter rather than a mapped border.

It situates human and cosmic action within an Earth-inclusive frame, implicitly valuing the integrity of natural domains (forests, oceans) as part of cultural geography.

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