सविता पश्चातात्सविता सप्तमं वरवर्णिनि । एवं बीजानि विन्यस्य आदित्यं स्थापयेच्छुभे
savitā paścātātsavitā saptamaṃ varavarṇini | evaṃ bījāni vinyasya ādityaṃ sthāpayecchubhe
Mit „savitā paścātāt savitā…“, o du von schöner Farbe, wird das siebte (Samenmantra) gegeben. So soll man, nachdem die bīja-Mantras geordnet sind, o Glückverheißende, Āditya einsetzen.
Skanda (deduced from Prabhāsakṣetra-māhātmya instructional tone)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Listener: A addressed ‘varavarṇinī/śubhe’ (female interlocutor)
Scene: A sādhaka arranges seven bīja-syllables around a lotus-diagram and then installs radiant Āditya in the center; the setting evokes Prabhāsa’s sanctity with a coastal light and temple ambience.
Right ordering (nyāsa) and reverent installation (sthāpana) make worship stable, complete, and auspicious.
Prabhāsakṣetra, where Āditya worship and installation are taught as a sacred rite.
Placing the seven bījas and then establishing (sthāpayet) Āditya using the Savitṛ mantra-opening for the seventh.