यस्य कस्यापि मासस्य द्वादशी प्राप्य मानवः । कृष्णक्रीडापुरीं दृष्ट्वा मुक्तः संसारगह्वरात्
yasya kasyāpi māsasya dvādaśī prāpya mānavaḥ | kṛṣṇakrīḍāpurīṃ dṛṣṭvā muktaḥ saṃsāragahvarāt
An jedem Monat, wenn der Tag Dvādaśī eintritt, wird ein Mensch—der dorthin gelangt und die Stadt schaut, in der Kṛṣṇa spielt (Dvārakā)—aus der tiefen Schlucht der Saṃsāra-Bindung befreit.
Unknown (contextual narrator within Dvārakā Māhātmya)
Tirtha: Dvārakā (Kṛṣṇa-krīḍāpurī)
Type: kshetra
Scene: A pilgrim arriving on Dvādaśī, beholding Dvārakā—city gates, temple, ocean—while a symbolic ‘ravine of saṃsāra’ dissolves behind them into light.
Darśana of Dvārakā—Kṛṣṇa’s sacred city—especially on Dvādaśī, is presented as a direct path toward liberation.
Dvārakā, described as the city of Kṛṣṇa’s divine play (kṛṣṇakrīḍāpurī).
Observing/approaching Dvādaśī (a Vaiṣṇava sacred tithi) and taking darśana of Dvārakā.